My full PhD Confirmation Report

As promised here is my full PhD Confirmation Report, submitted in April 2015
as a PDF document:
Confirmation-Report-Tal-Fitzpatrick-2015

Alternatively, below is the Title/Research Question/Abstract for all those of you who “aint got time fo’dat!”

Research Title:                 Craftivism and the Political Moment

Research Question:         Can craftivism create Political Moments?

Sub Questions:

  • How is craftivism different from other forms of activism?
  • Can a material, craft based practice such as craftivism be understood as a socially engaged art?
  • In light of a post-political critique of participation is it possible to initiate political moments through socially engaged artistic practices?
  • How do feminist new materialist and post-humanist conceptions of agency and matter reshape our understanding of power and the potential of art to enact social change?

Abstract:

This practice-led research project is shaped by an artistic practice that plays in the spaces between craft, socially engaged art, activism, community development and autoethnography. It looks to explore how a particular style of figurative appliqué quilting might be used to initiate what philosopher Jacques Rancière describes as ‘political moments’ in a post-political environment. Through a series of creative case studies delivered in and with different community groups and organisations, this project will test the material-discursive potential of appliqué quilting to act as a socially engaged strategy for activism.

Importantly, this project doesn’t aim to develop a set of tools for leading revolutions or even to create a methodology where outcomes can be reliably repeated. Instead it looks to develop a practice based methodology for becoming more mindful of the patterns of consequential differences and of the overlapping ideas between: art, craft, activism, socially engaged practice, feminist new materialisms, post-political critique, post-humanism and community development theory.

However, if anyone actually does read my full report – I would love to hear your thoughts, feedback, reading suggestions, artists I should know about and constructive criticism. As always you can get in touch with me via email: tal.fitzpatrick@gmail.com

Finally – just for fun, below are some of my powerpoint slides from my PhD Confirmation presentation.

Cheers

Tal

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Energy, Imagination and Courage

“Moral and ethical questions get stirred to the surface because ethnographers of performance explode the notion of aesthetic distance…

Instead of worrying about maintaining aesthetic distance, ethnographers try to bring ‘the enormously distant enormously close without becoming any less far away’…

When one keeps intellectual, aesthetic, or any other kind of distance from the other, ethnographers worry that other people will be held at an ethical and moral remove as well…

There is no null hypothesis in the moral universe…

Never has a sense of the other seemed more crucial for our own humanity…

When we have true respect for the difference of other cultures, then we grant them the potential for challenging our own culture. Genuine dialogical engagement is at least a two-way thoroughfare…

But what are the qualities one absolutely needs before joining the conversation? Three indispensables, according to Glassie: energy, imagination, and courage.”

 

These exerts are taken from a paper called “Performing as a Moral Act: Ethical Dimensions of the Ethnography of Performance” by Dwight Conquergood (2003) EBSCO Publishing